Magdalene & Jesus Painting, meeting of souls, minds

Mary Magdalene wife of Jesus paintingLook at this! A painting of Jesus and Magdalene together in a posture of mystical unity. Also, note the Asherah headband Yeshua is wearing. And the strings, ropes, what are they all about do you think? And the blue bottle behind Magdalene — is that supposed to be her anointing jar? It isn’t made of alabaster. My daughters are looking at this painting with me now (ages three and eight) and my oldest says, “Jesus walked and pregnant Magdalene rode on the donkey.”

I had to tell them, no, that was Mother Mary in the Christmas story, this donkey apparently is carrying furniture and other gear. Three-year-old Rhea pronounces after looking at the way their hands are touching, “He loves her.” And then a long pause.

Rhea ponders. “She was married to him. She is our Queen and he is the King.”

Sketch print given to me by Margaret Starbird originally titled Forgiveness by unreadable woman artist's nameIn our Order of Mary Magdalene we have a lesson exercise in which members are asked to design in their mind a painting of Mary Magdalene and Jesus/Yeshua in unity, as equals, etc.

Several years ago Margaret Starbird gave me the print / sketch pictured at left showing Magdalene and Yeshua in a nice posture as though in love, married, etc.  It was drawn by a woman artist whose name we cannot make out.

But be sure to study the new Frank Thomas painting at the top of this post, it is gorgeous and full of symbols we could decipher together.

What catches your eye?

I just ordered a copy of it to hang in our house chapel (aka the old living room parlor). My husband decided he’d better look at it since I just paid $400 for a painting. He said the bottle behind Magdalene looks to him like a wine bottle, so together she’s got the bread and wine of the eucharist. That’s interesting the eucharist is on her side, and the beast of burden and what looks like household goods are on Yeshua’s side. Hawk added that with her back to us we don’t have to worry about whether she’s pregnant or not. This painting is not about that tired old subject.

I thought Magdalene is rather plain looking, not the beautiful “sex object” others have painted her as, a pleasant change. We don’t have to worry about beauty distracting us. Distractions about Magdalene’s body neutralized, we can focus on their two hands in union, the first thing that caught my three year old’s eye, and I imagine the first thing that most people see. I saw their hands first, too, and then his Asherah headband got my attention. Such headbands symbolized goddess-men in the ancient holy land and during King Josiah’s reign were used to identify Asherah worshippers (and priests and priestesses) who had groves and altars to Her “in the high places” on hilltops and mountains. Women may have worn the headbands, too.

Magdalene is wearing blue and white which are Madonna colors. But in New Age reckoning, blue is the color of mental strength, perhaps indicating Magdalene has a mind, she is not just a body, not a sex object. This painting illustrates a meeting of the minds, too, therefore.

Above their hands in union is the Mount of Transfiguration aka Mount Tabor, a “high place” where once God-ess was worshipped, no doubt. Below their hands in union is a well, bringing to mind Jesus being the living water but yet the living water is obtained thru imaging them together in union.

This is not the woman at the well, that takes place in Samaria and Frank Thomas the painter says this is Magdalene and Jesus. His exact phrasing is: “JESUS and the MAGDALENE” (…Evening in the City of Nazareth…) Original 35″ x 48″ (12 sq. ft.) Acrylic/Canvas Painting by Artist Frank Thomas of Holden, Utah Artist comment: “My New Testament painting of the Christ, for women.” … Frank Thomas

See a larger version of the painting here as part of our God Has a Wife! slide show

Sophie2Uagain writes:

What about Jesus’ right hand in gesture? A hand sign?

Yeah, I was wondering about that, thinking of “occult” sign language hand signs I know.  This one seems to be a combination of two.  The painter is a Mormon so he may be depicting more “modern” sign language, even masonic since the LDS Church uses some of the masonic hand signs and grips.

If modern is what the painter is after, see how Jesus’ hand is clearly making a capital L, perhaps saying I am the Life, or water of Life.

It also looks like he’s about to wrap the rope around their wrists to do a hand-fasting.  This is fun, fun — deciphering a painter’s code.

Anyone else? C’mon!