The Christian Goddess
Descent of Ruah-Shekinah, the Holy
Note the two women on either side of Mary in the painting.
Who are these women? Surely Mary Magdalene is one, perhaps on
Mary's right since MM often is shown wearing green. Or would
she sit at the left hand of Goddess and is the mysterious
one barely visible behind and to the left of Mary? Perhaps
the other one is Salome, Joanna, Susanna, or one of Yeshua's
There are several female Deities that can lay claim to the
title Christian goddess. Mary, the
Mother of Jesus/Yeshua, first comes to mind. There is
Mary Magdalene the "Goddess in the
Gospels" the Church refused to acknowledge as the wife of
Yeshua and probably co-Messiah. "Mary" is a Greek pronunciation
of the Hebrew name Miriam or Miriamne. There are many theories
about this name, such as Mary might not even be a name, but
a title meaning Priestess of Goddess.
Many theologians and scholars believe the
Holy Spirit written as, Pneuma in Greek everytime
it appears in the New Testament, is a feminine being. Note
that Pneuma is a neuter word in Greek, but in Hebrew
the word Ruah (Spirit) and in Aramaic the word Shekinah
(Presence) are feminine words and imply a feminine divine
presence. The Holy Spirit is possibly a Christian
Goddess, not a mysterious invisible member of an all-male
Trinity "club." Or more provocatively, maybe there
is a Feminine Trinity of God-the-Mother (Sophia and Mary?),
God-the-Daughter (Mary Magdalene) and Goddess-the-Spirit-Presence
(Shekinah, Ruah). The Holy Spirit appears at Yeshua's baptism
in the form of a dove. The dove has long been
a symbol of the Goddess in the Ancient Near East, and was
never used to symbolize any male Being or God.
We must also look in the Old Testament, the Hebrew Bible, and
consider the Goddess Sophia. Her
name means "Wisdom." She is the Goddess of Wisdom referred
to repeatedly in scripture as the wife of God-the-Father. See
Proverbs, Song of Songs, (also called Song of Solomon) in the
Hebrew Bible, and see the Book of Sirach and the Book of Wisdom
in the Apocrypha found in the center of any Catholic
Here is an excerpt from "The Decline of the Feminine
and the Cult of Mary at http://eapi.admu.edu.ph/eapr98/kath2.htm
In Greco-Roman Christianity, probably because of the dangers of
Gnosticism, the biblical images of God
as female were soon suppressed within the doctrine
of God. God as Wisdom, Hokmah
in Hebrew, or
in Greek, a feminine form, was translated by Christianity into
the Logos concept of Philo, which is masculine and was defined
as the Son of God. The Shekinah,
the theology of Gods mediating presence as female, was de-emphasized;
and Gods Spirit Ruah,
a feminine noun in Hebrew, took on a neuter form when translated
into Greek as Pneuma. The Vulgate translated Ruah into Latin as
masculine, Spiritus. Gods Spirit, Ruah, which at the beginning
of creation brings forth abundant life in the waters, makes the
womb of Mary fruitful. In spite of the reality of the caring,
consoling, healing aspects of divine activity, the dominant patriarchal
tradition has prevailed, resulting in seeing the female as the
passive recipient of Gods creation; and the female is expressed
in nature, church, soul, and finally Mary as the prototype of
redeemed humanity. Because God as father has become an over literalized
metaphor, the symbol of God as mother is eclipsed. The problem
lies not in the fact that male metaphors are used for God, but
that they are used exclusively and literally. Because images of
God as female have been suppressed in official formulations and
teaching, they came to be embodied in the figure of Mary who functioned
to reveal the unfailing love of God.
Visit our Hebrew Goddess page for
more information on Asherah, Shekinah, and Sophia, goddesses once
worshipped by the Children of Israel as the wife of their Creator-god,
God-The-Father Has A Wife
The Lord's Prayer, often called the "Our Father,"
only addresses the masculine side of Divinity. It is a prayer
to Yahweh, the Jewish and Christian Father-God. But what many
have forgotten, or refuse to admit, is that Yahweh had a wife.
Asherah, the Shekinah, was originally worshipped
right alongside her lover/husband Yahweh, or El, as He is also
called in ancient writings. You've probably noticed His name in
names like Mi-cha-EL, Gab-ri-EL, Rach-EL, which mean respectively,
"Who is like God?", "Power of God," and "Fair One of God."
In Genesis, God the Father turns to some companion,
we are never told whom, and says, "Let us make man after our own
image." Jewish mystics and scholars of the Kabbalah have pointed
out the obvious: Yahweh is talking to His wife.
Even more intriguing: many researchers say it
is She that is speaking to Him. The Hebrew word
used for "God" in Genesis is Elohim, the plural of Eloah, a feminine
title for the Goddess. Eloah (sometimes spelled Elat)
is the female "half" of El. This Hebrew Goddess in Genesis is
Asherah, the Shekinah, the Lady, speaking with Her mate.
They agree to create, and so here we are.
Perhaps a little sex magic is used in their grand creation project,
who knows? It would be logical for the Divine to have intimate
physical relations, since they made us such wonderfully sexual
beings. We should never feel ashamed of, nor try to suppress,
our sexual natures.
When two people, committed to each other and to
Goddess & God, join in sexual communion they are actually
performing an honoring, a ceremony of worship toward the Divine
Couple. They are the great original Masculine and Feminine. They
wish to channel into, and through men and women of their creation.
You and your partner might try channeling the Lady and Lord the
next time you are intimate.
Many ancient religions, including the Greeks,
believed that heaven is a male God who "covers" the feminine earth,
Gaia in an intimate embrace. The earth, thus regularly impregnated,
Great symbolism, there. It's sexual again-----but we can handle
Click Here to enjoy our online slideshow God Has a Wife!
|Litany to the Christian
Goddesses of Love
by Rev. Mark Raines for Valentines' Day, 2002
Give glory to our Father in Heaven;
And give glory to our Mother, Primordial Waters.
Give honor to our Brother, Lord of Fire;
And give honor to our Sister, Spirit of Earth.
Come Holy Spirit, Pneuma, Ruach, Breath of Deity -
Bring us the love we deserve and desire!
Holy Mary, grant us love.
Bride of Yahweh, grant us love.
Isis Incarnate, grant us love.
Temple Virgin, grant us love.
Betrothed to Joseph, grant us love.
Jewel of David, grant us love.
God's Desire, grant us love.
Holy Magdalene, fulfill our desires.
Bride of Yeshua, fulfill our desires.
Inanna Incarnate, fulfill our desires.
Queen of Hearts, fulfill our desires.
Lover of the Faithful, fulfill our desires.
Song of Solomon, fulfill our desires.
Love's Light, fulfill our desires.
Holy Shekinah, bring us together.
Bride of El, bring us together.
One with Asherah, bring us together.
Queen of Tsion, bring us together.
Israel as Bride, bring us together.
Lover of Prophets, bring us together.
Affectionate Hope, bring us together.
Thanks be to our Divine Creators,
And to their Children who were sent to the world -
May we share in their divine mission of love.
Allan Poe wrote of his relationship with
the Christian Goddess in 19th Century
At morn, at noon, at twilight dim
Lady thou hast heard my hymn:
In joy and woe, in good and ill,
Goddess, Mother, be with me still.
When the hours flew brightly by
And not a cloud obscured the sky,
My soul lest it should truant be,
Thy grace did guide to thine and thee.
Now, when storms of fate o'ercast
Darken my present and my past,
Let my future radiant shine
With sweet hope of thee and thine.
by Darlene Kenney
Hail Mary, full of grace
The dust of whose feet are the hosts of heaven,
You are the white moon among the stars
And the desire of human hearts.
You are the mystery that if that which I seek
I find not within, I will never find it without.
For You were here at the beginning
And You are that which is attained at the end of
Read more Prayers
Sign up for our Order of
the Divine Mother
and make a positive step
toward restoring Her
to Her rightful place in religion
and the hearts of men and women.
Mary Magdalene As a Christian Goddess
I am the first and the last.
I am the honored one and the scorned one.
I am the whore and the holy one.
I am the wife and the virgin.
I am the mother and the daughter. . . .
I am she whose wedding is great,
And I have not taken a husband. . . .
I am shameless;
I am ashamed. . . .
I am godless,
And I am one whose God is great.
Thunder, Perfect Mind
The Written Record
In seeking to unravel the mystery of the Marys in the New Testament,
it is important to note at the outset that the Gospels were a later-recording
of an oral history. In fact recent scholarship confirms that it
is unlikely that any of the New Testament writers actually knew
the historical Jesus (B,C,D *). The earliest
New Testament records, Paul's Epistles, were written circa 51-57
CE, and the other books were written nearer to the end of the century.
Many of the Biblical accounts of Mother Mary and Mary Magdalen were
written 50 years or more after the death of Jesus of Nazareth (B,C,D
*). In addition, it is quite clear that the existing Bible today
underwent additions, deletions, and translation changes over the
centuries. In fact, the Bible as we know it today was not even compiled
until the 4th Century CE, and no known manuscripts of the New Testament
are older than the 4th Century. What exist are copies of copies
(B,C,D *). However, many other Gospels were written that were not
included in the official cannon. Among them are the Gnostic Gospels.
Surviving copies of the Gnostic Gospels predate the surviving Biblical
manuscripts by 200 years (A,B,C,D *).
Why is it important to establish that the written record is based
on oral history? What was once commonly understood as symbolic in
the original version easily transmutes into the literal, and meanings
are lost or change. While this is true of written records, it is
especially true of oral histories (where it is impossible to examine
the original version). It is important, therefore, to look to the
cultural/historical context of the gospel stories when seeking to
understand what the early Christians understood.
The Goddess in Jerusalem
Herod Antipas became ruler of the land through the ancient "Sacred
Marriage" with the High Queen Mariamne, a priestess of the Triple
Goddess Mari-Anna-Ishtar who was popularly worshiped at the time
of Christ (B,C,D,E *). This Goddess was noted
for her triple-towered temple or "magdala." It is important to note
that much of the imagery in the Gospels, especially regarding the
Marys, corresponds to the worship of this Goddess Mari-Anna-Ishtar
(B,C,D,E *). This will be explored in more detail
in the following sections.
Mother and Magdalen as One
Magdalen as Temple Priestess
Magdalen as the Bride of Christ
Worship of the Magdalen
The Black Madonna
Mother and Magdalen as One
"I am the honored one and the scorned one.
I am the whore and the holy one.
I am the wife and the virgin.
I am the mother and the daughter."
(A, p. 55-6)
The Divine Mother and her Consort/Savior Son is a strong theme
in World Goddess Myth, making Virgin Mary/Mary Magdalen a likely
composite. As noted on the Virgin
page, the title of Virgin was often bestowed upon sexually active
Goddesses. Sacred Temple Prostitutes were often called Virgins (D).
In addition, children of The Sacred Marriage, a ritual union of
a temple priestess and a king willing to die for his people, were
often called "virgin born" or "divine children," just as Christ
was (C). As noted on the Virgin
page, it is possible that Mother Mary was dedicated to a Goddess
temple when she was a child. Perhaps Mother Mary was a temple priestess,
thus making Jesus (or Yeshua) a divine child (E). There is even
stronger evidence that Mary Magdalen was a temple priestess, so
perhaps this is the true connection between Mother Mary and Mary
Some feel that Mary the Mother and Mary the Lover were split into
two characters--one good, the other evil--because women's sexuality
was demonized by the early orthodox church. (See Mother
Mary as Bride)
Magdalen as Temple Priestess
Four pieces of Gospel evidence strongly point to Mary Magdalen
as a temple priestess of the Goddess. The first is her title "Magdalen,"
almost identical to "Magdala," noted earlier to be the name of the
triple-towered temple of the Goddess Mari-Anna-Ishtar (D). Literally,
"Mary of the Magdala" signifies "Mary of the Goddess Temple." Christian
tradition has said that Mary is of the town "Magdala" or "Migdal,"
which was known as "The Village of Doves," a place where sacred
doves were bred for the Goddess temple (F). In either case, two
threads of strong symbolism link the name Magdalen to contemporary
Next, Mary is known as a prostitute, just as the Goddess priestesses
were titled "Sacred Prostitutes," although a more recent and accurate
translation titles them "Sacred Women" or "hierodulae" (B, p. 29).
Such prostitutes were considered evil by Jewish leaders of the time.
That Jesus/Yeshua would associate with such a woman would indeed
invoke the scorn of his disciples, as is recorded in the New Testament.
Thirdly, Mary Magdalen is identified in Mark and Luke as the woman
who was possessed by seven demons, which Yeshua cast out of her.
The seven demons were a symbolic part of a temple ritual known as
"The Descent of Inanna," one of the most ancient ceremonies known,
recorded in the Epic of Gilgamesh (G). This ritual was known to
be practiced in the Jerusalem temple of Mari-Anna-Ishtar (D,E,F
The last, and perhaps strongest, piece of evidence is the anointing
of Yeshua with the sacred oil, an event which (uncharacteristically)
was recorded in all four New Testament Gospels, pointing to its
significance. The anointing of the Jesus' head with oil (as described
in Mark 14:3-4) is an unmistakable symbol of The Sacred Marriage,
a ceremony performed by temple priestesses (B).
Magdalen as the Bride of Christ
Mary Magdalen was said to have been the Bride of Christ. Many
of the Gnostic Gospels (revered early on in the Christian Church
and later thrown out of the cannon) portray Mary Magdalen as Christ's
Most Beloved Disciple, reporting that Jesus often kissed her on
the mouth and called her "Woman Who Knows All." Other disciples
went to her for Christ's teachings after he died (A). She is portrayed
as sitting at Jesus' feet to listen to his teachings (Luke 10:38-42)
and also as anointing his feet with oil and drying them with her
hair (John 11:2, 12:3). Three of the New Testament Gospels report
that Mary Magdalen was at the foot of the cross, and all four Gospels
note she was present at the tomb. The Gospel of John notes that
after the resurrection, Christ appeared to Mary Magdalen first.
Mary Magdalen is mentioned in the New Testament more often by far
that Mother Mary.
In The Woman with the Alabaster Jar, Starbird presents a very
strong case that Mary Magdalen was perceived by many Christians
(up until the 14th or 15th Century) to be the Bride of Christ, who
later bore his child. Just as the High Queen Mariamne was known
to be a temple priestess, Starbird presents evidence that Mary Magdalen
was a princess of Bethany. This Mary of Bethany (sister to Lazarus
and Martha) was of the line of Benjamin. She was wedded to Yeshua,
of the line of David, in order to fulfill the ancient prophecy that
a Son of David would rule Jerusalem and a long period of peace would
Banner of the Flagellants
of Borgo San Sepolcro
14th C -- Spinello Aretino
New York Metropolitan Museum of Art
Many scholars have documented the fact that Jesus was supported
by political zealots who wished to overthrow the Romans and put
a Son of David on the throne in Jerusalem. (Numerous Biblical passages
also suggest this.) In fact, it is much more likely that Jesus was
crucified, not for blasphemy (which was no offense to the Romans),
but for sedition. Crucification was the common punishment for insurrectionists,
hence the title over his cross, "Jesus Christ, King of the Jews"
If indeed a strong faction of zealots wished to see Yeshua on
the throne, he certainly would have been married to a suitable bride.
Starbird suggests that the Wedding of Canna, where Jesus turned
the water into wine, was actually the symbolic story of his own
marriage to Mary of Bethany. "Cana" is the root for "zealot," and
the water into wine may represent the new covenant for the people
Others believe that Yeshua himself took part in the Sacred Marriage
with Mary Magdalen, as the anointing foretold. The Sacred Marriage
was a ceremony to renew the land, at times was followed by the death
of the redeemer/king who was called upon to sacrifice his blood
for the people. (See G) "Mari-Ishtar . . . anointed--or christened--her
doomed god when he went into the underworld, whence he would rise
again at her bidding. That is, she made him a Christ. Her priestess
raised the lament for him when he died. . . . In the Epic of Gilgamesh,
victims were told She 'who anointed you with fragrant oil laments
for you now' " (D, p. 615).
Anointing the head with oil had Biblical precedent in announcing
kingship and was well known to be symbolic of the Sacred Marriage
ceremony (B,D *). When Mary anointed Yeshua's
head with sacred oil, he foretold his own death: "She has come beforehand
to anoint my body for burial. . . . What this woman has done will
be told as a memorial to her" (Mark 14:8-9). Immediately afterwards,
Judas Iscariot (whose name means "zealot") went out to betray him,
for he understood that Jesus was going to sacrifice his life, not
rule as king (B).
Worship of the Magdalen
A French legend recorded in the 4th Century CE says that Mary
Magdalen (along with Lazarus and Martha) fled to the South of France
(via Egypt) bearing "the earthen vessel that held the blood of Christ."
While legends of the Holy Grail took on a life of their own centuries
later, merging with other legends, many believe that Mary Magdalen
was herself the earthen vessel bearing Christ's child, the sacred
bloodline of David. Starbird provides convincing evidence that this
was indeed what many early Christians, including the Cathars, believed.
In the South of France, the Cult of the Magdalen flourished until
it was all but wiped out in the Albigensian campaigns by the Roman
Catholic church in the late 13th Century. (B,D,E,F
The Song of Songs, the most popular love poem at the time of Christ
and for centuries afterwards, was strongly associated with Mary
Magdalen, believed to be the bride in the poem, and Yeshua the bridegroom.
Attributed to Solomon, the Song of Songs has remained part of the
official cannon, despite its unmistakably erotic imagery. The Roman
Catholic church traditionally reads from the Song of Songs on Mary
Magdalen's feast day (B).
There is strong evidence that Mary Magdalen was worshiped (somewhat
secretly) right along side the Virgin Mary up until the Albigensian
campaigns. Afterwards her worship was forced even further underground
(B). In 1781, the last temple dedicated to her
was destroyed (D). Numerous landmarks attest to her cult in the
South of France. Among many other examples, "a Christian magic ring,
now in the London museum, bears the legend, 'Holy Mary Magdalen
pray for me' " (D, p. 615).
Of the many cathedrals dedicated to Our Lady, Notre Dame, in the
middle ages, it is unclear which "Our Lady" they were dedicated
to, especially since many of the cathedrals were funded by the Knights
Templar, champions of Mary Magdalen. (In the 14th Century, the church
made a concerted effort to clarify that the only Our Lady was Mother
Mary. In doing so, they made Mother Mary "The Bride of Christ,"
although they emphasized it was a spiritual union only (B,C).
The Black Madonna
The Cult of the Magdalen, forced underground, is linked to the
Cult of the Black Madonna, which thrived in France and elsewhere
in Europe. There has been much speculation as to the origin of the
Madonna's blackness. One link is to Sarah "The Black Queen," believed
to be the child of Mary Magdalen, brought out of Egypt. The town
of Les-Saintes-Maries-de-la-Mer in southern France still celebrates
her festival (B). Other links are scriptural,
such as to the bride in the Song of Songs: "I am black, but comely,
O ye daughters of Jerusalem" (Song of Solomon 1:5, B,C
*), or to the deposed Davidic princes of Jerusalem: "now their
appearance is blacker than soot, they are unrecognized in the streets"
(Lamentations 4:8, B). One of Mary Magdalen's
most prominent shrines, at Chartres, centered around a statue named
"Our Lady Under The Earth" (B, p. 79). This also
emphasizes her hidden aspect.
Some of the Black Madonnas were originally statues of Isis, such
as The Black Virgin of Notre Dame du Puy, whose replica is shown
here (H). Indeed Mary Magdalen is linked to Isis in other ways,
such as mourning the dead god Osiris. The cult of Isis was very
popular at the time of Christ (B,D *). In Catholic
countries, black is associated with magic. "Black Madonnas are considered
especially wonder-working, as the possessors of hermetic knowledge
and power" (C, p.275).
Some have suggested that black represents a face of the universal
Goddess not positively acknowledged in Christianity: the face of
the Crone, the Death Mother, the Shadow Self. Some Black Madonnas
are also seen as "wounded," such as Our Lady of Czestochowa with
the scars on her cheek (H). There has been a revival of interest
in the Black Madonna. One modern devotee has this to say about her:
"Through the Black Madonna's interaction in my life,
I am finally able to say, 'Enough pain, enough wounding. It's over,
the hurting is over. I am perfect the way I am, and that doesn't
mean I don't make mistakes. It means that in my humanity, even my
mistakes are perfect.' "
(I, p. 102)
Also see Our Lady of Sorrows
(A) Pagels, Elaine. The Gnostic Gospels. NY: Random, 1979.
(B) Starbird, Margaret. The Woman with the Alabaster Jar. Santa
Fe: Bear & Co., 1993.
(C) Warner, Marina. Alone of All Her Sex: The Myth and Cult of the
Virgin Mary. NY: Random, 1976.
(D) Walker, Barbara G. The Woman's Encyclopedia of Myths and Secrets.
Edison, NJ: Castle Books, 1983/1996.
(E) Kinstler, Clysta. The Moon Under Her Feet: The Story of Mari
Magdalene in the Service of the Great Mother. SF: Harper, 1989.
(F) Baigent, M., R. Leigh, & H. Lincoln. Holy Blood, Holy Grail.
NY: Dell, 1982/1983.
(G) D. Wolkstein, S.N. Kramer. Inanna: Queen of Heaven and Earth.
NY: Harper, 1983.
(H) Gadon, Elinor (Ed). The Once and Future Goddess. SF: Harper,
(I) Lone Jensen. Gifts of Grace. NY: Harper, 1995.
( * ) And numerous other sources
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